Tuesday 4 December 2012

Madambi...

Strange title given to a write up on a song. I will share the link at the end of the write up. I heard this song yesterday at night and wanted to pen upon it immediately. Unfortunately the sandman had sprinkled a wee bit extra sleep dust in my eyes, so the priority changed. So here I am, completing what was supposed to have been my midnight creativity, now being performed in broad day light. 

The title is MADAMBI is defined as Feudal lord. The song that I am trying to put some light [my 2 cents] is Amma Mazha... I am sure there are many reviews that you have read from various places. Maybe mine will be part of the flow or may stand out. That is for you to decide. Why am I writing on this song? I was moved by it. There are very few songs that has literally brought me to tears. And this is one of it. The first time I ever saw a person cry hearing a song was the hero of this movie in his first home production called His highness Abdulla. In that movie he is drawn into a musical duel by the kings court musician and all the three run into tears because they sang the song with such dedication and purity. Why do people move into tears when they hear good song? The reason is simple. At that one moment they are one with god. There is nothing between the listener and the singer. They become one. That moment is what language feebly tries to encompass in a word called BLISS/NIRVANA. How does one come to understand which song can move us to bliss? Simple, the ones that can connect us to the song on a different plane. Not tapping feet or stuff like that. You stand/sit spell bound. That's the song you are looking out for. The one that connects your soul to the almighty. 

In this particular song, the lyrics are not upto the mark. Its like Kaithapram Damodaran Namboothiri style... devoid of any meaning. However M. Jayachandran the music director, Dr. K.J Yesudas the singer, the photography and the people who acted in it made the song a memorable one. The song is mellifluous and melancholic blended to perfection on the same plane. Rain in the background is a cliche, but a necessary one is what I would say. It gives the song the subtle layers required to portray  his sorrow and it depicts Mohanlal emptying his heart out to his mother KPAC Lalitha, that her husband is dead and has been, for a very long time. He has been bearing on his shoulders the hope and salvation for his mother and the entire family. The other frames depict his mothers transition from a wife to a widow and the lady who used to hate Mohanlal to the one who realises the extent of the burden and sacrifice he has done for the existence of the family. The subtle emotions [for which Mohanlal is lauded for] depicted by the hero has no comparison. He reminds me of Sidney Poitier, the African American actor who could display a spectrum of emotions with his eyes. Its people like them who reminds us that, "The eyes are the windows to the soul." The other frames shows him as a loner who has been fighting all that life has thrown at him, all by himself. All in all... PERFECT!!!


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